"Watchmen" would be 310% better without the "soundtrack." I'm hard pressed to think of a movie with a louder, more relentless, even less appropriate and more shoved-up-your-nose song "selection," and I'm drawi...ng a blank. I might have been able to swallow it if Manhattan hadn't sounded like HAL 9000.
That said, it's clear Snyder knows how to handle Rorschach, and doesn't know what to do with Manhattan. The relative satisfaction is... polarizing.
Points for improving the ending.
Strike that. Points for seriously improving the ending.
Points off for the soundtrack, the sex scene(s) (one faithful to a point, the other so relentlessly pointless that it deserves to be its own isolated DVD chapter - you can drop a couple of minutes right there without affecting the plot at all). Points off for not casting David Bowie as Ozymandias.
Points off, again on the soundtrack, for using Wagner for the Vietnam sequence. It was good once, and only once. That scene was so definitive that Flight of the Valkyries is used to specifically evoke that scene (see Rawls using it to humorous effect in season three of The Wire). It has the effect of watering down the entire segment, the same way Nina and Hendrix-covering-Dillon effectively piss all over the scenes they've been slathered over.
There are, to my ear, some serious pacing problems with Manhattan's backstory - things drag when they should zip and zip when they should drag... this is more obvious with the monologue than the visuals. Manhattan's "re-manifestation" made a permanent impression on me, and I've always seen it a certain way. A way that bears no relation to the rapid edits and bored monotone soundbite the movie reduces it to.
Points off for the really horrible Nixon makeup. The FX department can give us a wooden Doctor Manhattan 9000 and a great Rorschach mask, but instead of an Old Nixon we get some kind of Nixon Caricature Deathmask. All of io9's whining about Watchmen's budget vs. gross and they forget to mention that the production apparently spent more on Max Headroom's weird ears than they did on Nixon's face. Hell, they could have hired Frank Langella and saved themselves all kinds of embarrassment... while snagging an actor with the requisite gravitas in the process.
So.
Watchmen?
Points for casting, by-and-large. Nixon's makeup artist being a notable exception. Dan Dreiberg, Rorschach, Rorschach's shrink - all slam-dunks. Ozzy works but that come-and-go accent* and body language just screams David Bowie, which in turn makes me wonder why David Bowie wasn't cast.
The age makeup sucks, the sex sucks, the soundtrack is as horrible as it is inappropriate, I skipped the intro sequence after suffering ten seconds of it, Rorschach rocks and the ending is a massive improvement over the original. Assuming we accept the ending as existing in the same relative spacetime as it does in the book, and assuming we overlook the reappearance of the Wooden Nixon Deathmask, the unnecessary sex and the horrible, horrible soundtrack.
One of the things I love about comics - I can head-score them however I like.
Is it the book? No. Not by a long shot. However, Watchmen-the-movie ejects many of the sludgier, more awkward parts of the story entirely, drastically improves the ending (they had to do something after The Incredibles swiped the entire plot, didn't they?), and is reasonably well cast.... I'd say exceptionally well cast, but that would imply every character nailed, and that isn't the case.
Worth watching once? Sure. Especially in a user-controlled format that enables you to skip the completely superfluous and/or irritating bits (the aforementioned title sequence, sex sequence).
Second time around? Read the comic. Use your imagination to give it the movie ending.
All of the win, none of the fail.... and more importantly, you'll be left with a vague sense of satisfaction, instead of a screaming urge to gib whoever okayed the soundtrack. The horrible, horrible soundtrack.
If you're going to watch a recent Hero Movie a second time, I'd say go for Iron Man or The Dark Knight. They're shorter, there's nothing left out (relatively speaking), and more importantly, Iron Man saves its offensive audio for the end credits and (if memory serves) TDK is completely lacking in fingernails-on-chalkboard "music."
Probably thanks to a rider in Michael Caine's contract.
Final verdict: Of the various Alan Moore works to be adapted to The Big Screen, Watchmen has suffered the least.
Which is not to say that it hasn't suffered, mind you.... but it's no LXG, and it isn't the steaming pile of autofellating bullshit that is the movie "version" of V For Vendetta. Watchmen is fairly entertaining... and with some quick, surgical razor work to the so-called "soundtrack," that "fairly" would be a "very."
Still, hoping I don't get an angry call from my aunt for loaning my 15yo cousin the trade paperback. Hell, the movie was gorier - by a long shot - and he's seen that, so.
* I may not have been paying the strictest attention but I swear that accent disappeared for an entire scene. Confused the hell out of me, that.
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